On Thursday the 14th of April The UB Scars Project performed The Child Whisperer at the annual Maitisong festival in the Moving Space. Here are comments received the BFA205 (Design & Technical Theatre) students who watched the play:
The costumes worn by the characters showed the types of families and backgrounds of the families. The girl’s parents wore neat expensive-looking clothes that were in style, which showed that they were a classy family whereas the boy’s family wore torn, out of style clothes to show that they were from a poor background. The costumes did well to extinguish the ages, gender and statuses of the two different families. Make up was used on the girl’s mother to show that she was a middle aged woman who still put effort on her looks. – Tshotlhe Wantwa
The play was so touching because it is a real life story. I feel pity for young girls out there in society who are also going through this similar problem. I don’t put the blame on the young girl for her not telling anyone about what she is going through because it is really hard to open up as she now doesn’t have trust for anyone either. I know many people may think she is being stupid because we are living in an era where we have all the resources around us but with abuse it is different. – Nonofo Phologolo
At first glance this performance space looked like abandoned classroom but walking inside it was then transformed theatrical room with a beautiful set of a living room. As the play starts LORATO tells her parents that she and Joe are getting married but the parents are against it. She then decides to move out of home and marry against their will. This play can be categorized as a tragicomedy. Each actor was worth noting but standouts include the landlord who was after his rental money and Larona the daughter/granddaughter. His comedic timing was impeccable. The scars project put together an amazing show with a smooth scene changes, a clear focus and a cohesiveness that is both impressive and unmatched. It was really good to have to go and watch the performance. – Baratwa Phuthego
I witnessed a physical theatre production by the Scar’s Project at the Moving Space in Maru-a-Pula during the 2013 Maitisong festival. Yes, it’s true, (Botswana Power Corporation (BPC) has no sense of humour. Electricity was out for the first 30minutes of the production but the Scar’s Project is always prepared for such incidents. Candles were placed in a semi-circle. Somehow, this proved to be good lighting for the play but on the other hand, when a scene transits it’s a problem because you can’t actually blow out the candles in 30seconds and light them back on within those 30seconds. This is a play I would urge all to go watch. Incidents that happen in our lives were showcased and made us aware of them. GOOD JOB SCAR’S PROJECT!!! – Tumii Kesetse
I believe that the style of set design used was simplified realism. The type of furniture used did represent the locale that it was not hard for the audience to figure out the social class of the inhabitants of that particular locale like in the first scene, an expensive sofa, two chairs (conversational group), table, golf club, telephone and a flower did suggest that the inhabitants (Rra Peo and Mma Peo) have an expensive taste so they could be placed among a rich families if not an upper medium class family. With Joe’s house it was not hard at all to figure out that it was that of a struggling young man for example, he did not even had a wardrobe that he had to hang his clothes on a rail and moreover he used the same room to cook, bath, sleep and also as a sitting room. The same applies to RraJoe’s family. The type of furniture used did suggest that the family or inhabitants were low class family. The type of furniture used in this play also gave hint to the time, place of the play. The furniture used is that of modern times and the place is a town. I would say the set designer did accomplish the purpose and the mood of audience was properly set. Sound also was used to create and stimulate the mood of the audience. It was used at a time when the play was reaching a climax when Larona was used as a sex object in exchange for payment of liquor credit. That was a very touching moment and the sound did just that, buttressing the state of emotion. The stage managers also did a brilliant job. They ensured quick exchanges of props and furniture and everything was put in an orderly manner. – Morutegi Setlhoka
At the beginning of the play there was complete silence. Although silence is a sound on its own, I find it fitting to have introduced sound in order to set the mood of the play. As the play unfolded however, music was sometimes used in the background to emphasize the mood. For instance, when the parents were dining, a love song was playing in the background. This helped to push the momentum of the play. Itseng Modukanele
The music that was used in the play showed the mood. In a scene where the widow was told that her husband had passed away, she became very sad and she cried very bitterly. As she was crying, a sad music that went with the mood of sadness was playing on background. The costume they wore showed their status i.e. those who were rich wore expensive clothes to show their status and the poor wore cheap clothes to show their status. Also, the man that the grandfather to the child owed wore costume that is normally associated with business men in the townships. Pako Itiseng